Monday, April 26, 2010

LEAR Chaos Themes In Poetry











THE SECOND COMING

W.B. Yeats (1919)

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.
The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

Poem written in the wake of WWI by an Irishman.

___










Federico Garcia Lorca

A poet, activist, and homosexual under dictator Generalissimo Francisco Franco's reign. Lorca was kidnapped, tortured, and assassinated in 1936. Franco was a despot, insisting that Spain remain an island onto itself, no one allowed to leave no one allowed to come. He lots of other bad stuff like torturing people and kidnapping them and censoring like everything. But you can read about it.

Federico Garcia Lorca's plays (and poetry) and his TIME stand upon a political crisis leading to familial crises which bring about crises within the individual.

Blood Wedding

Yerma

The House of Bernarda Alba

(full texts in English)

Saturday, April 24, 2010

References from Rehearsal Today (24 April)

The Piece: Madness of King George III

There needs to be a smell of authenticity. It requires a leap of historical imagination. The staunch etiquette should appear strange, but in its strangeness we recognize ourselves and our society.


Alan Bennett has a fine sense of language and the type of people these were. They were highly sophisticated, incredibly well read, and extraordinarily cultured individuals. There is also a very contemporary voice to the piece which holds a strong connection with America.

Pressures and strains between a monarch and executives, the corruption which is endemic in any system as such.

King's loss and restitution of reputation. We see the human being through personal and political struggle.

He was a passionate constitutional monarchist portrayed incorrectly by historians as trying to restore absolute monarchy.

FOX as a FALSTAFF character. Prince of Wales as his Hal.

PITT was a career politician which is all he did apart from drink. He was a powerful drinker... (See the blog posting on Pitt.)

The text whizzes by from domestic to epic scenes in an instant.

We learned the term"foxed" mirrors in reference to the patina of the mirrors which make up the back walls of the regal Georgian space.

George has a stiflingly formal court.

PRINCE OF WALES PARTY-TIME. He could spend large quantities of other people's money.
Mistresses of the Prince. There are a lot.

Prinny: the Prince of Wales.

Prinny's paintings. He bought scores to cover the walls of Carlton House.


Chronicle of American Affairs: 176o-1783 during the tumultuous losing of the colonies.
















GENTLEMAN'S CLUBS


http://historicalhussies.blogspot.com/2009/03/regency-gentlemans-clubs.html


Today we also participated in many exercises in STATUS and CLASS. Exploring these ideas in the abstract, also in the very concrete: everyone in George's England would know exactly where they stood in society. One's exact rank, status, and class and it's relationship to the throne were never in question.

Final word: In this play, the particular gives us the general, the global.

MKGIII: Reading and Viewing References


Books for Reading:

SO EXCITING: the first book Bennett quotes in his introduction The Whig Interpretation of History is actually accessible via Google Books! Sweet. Online and free!

MORE EXCITING: The book Adrian had on KGIII is on Google Books too! Online and free!! George III by John Cannon.


The Royal Malady by Charles Chenevix Trench.




Films on the period/people:


Marie Antionette--sense of the court mentality and behaviour. And time-period.

Pride and Prejudice. Definitely referring to the Mini-Series. Sense and Sensibility.

Courtesy of Charlie Janasz for reccomending these two brilliant portraits of British Royal life: The Windsors A Royal Family and Windsor Castle a Royal Year .


Amadeus. Not the right place but the right time. (definitely also a "watch instantly" on netflix)















Obviously you know of MKGIII the film.


MADNESS OF KING GEORGE III: William Pitt/PMs under GIII





We have two William Pitts (edler and younger) who were PMs. The rather curious thing is that the ELDER was PM from 1766-1768. The younger (b. 1759) was PM from from 19 December 1783 to 14 March 1801 and from 10 May 1804 to 23 January 1806. This means that in 1776 the PM was neither Pitt. Pitt the younger was born in 1759 making him 24 when he took office and 17 in 1776. He entered Cambridge at 14 and Parliament at 22. He was in fact a MP in 1776...but certainly was outspoken on the topic of the American war; calling it " 'most accursed, wicked, barbarous, cruel, unnatural, unjust and diabolical'

The constitution was not signed until 1787: we often think in the US of 1776 being the "winning date" however it appears that 1787 was really the nail in the coffin.

Apparently the time period between his coronation (1760) and 1770 he appointed 10 PMs--supposedly called the "decade of ministerial instability". Frederick, Lord North was the PM at the time of the American revolution.

It appears that Alan has taken some liberties with the time period, etc. as I find it rather clear that he intends Pitt the Younger to be the Pitt of our play. Additionally it's believable that the colonies weren't recognized as truly lost based upon the 1776 date...Clearly he used Pitt the younger due to the evidence of drinking in the text and the AGE factor.

Here are the PMs under Gerorge III thru to Pitt the Younger.
Thomas Pelham Holles, Duke of Newcastle29 June 175726 May 1762Whig
John Stuart, third Earl of Bute26 May 1762
8 April 1763Tory
George Grenville16 April 176310 July 1765Whig
Charles Watson-Wentworth, second Marquis of Rockingham13 July 176530 July 1766Whig
William Pitt (the Elder), Earl of Chatham30 July 176614 October 1768Whig
Augustus Henry Fitzroy, third Duke of Grafton14 October 176828 January 1770Whig
Frederick, Lord North28 January 177027 March 1782Tory
Charles Watson-Wentworth, second Marquis of Rockingham27 March 17821 July 1782Whig
William Fitzmaurice, Earl of Shelburne4 July 178226 March 1783Whig
William Henry Cavendish Bentinck, third Duke of Portland (the Fox-North coalition)2 April 178318 December 1783Whig/Tory
William Pitt the Younger19 December 178314 March 1801Tory


Pitt had a rich voice and was an effective speaker: cool, incisive and a master of reasoned argument. He was rarely emotive but was a very impressive speaker who used a wide vocabulary. For example, when speaking of the American War, he called it 'most accursed, wicked, barbarous, cruel, unnatural, unjust and diabolical'. Pitt was most concerned about the American War and in 1782 he moved for a Select Committee to consider a reform of parliament with the intention of consolidating middle-class power and restricting the influence of Crown; the motion was defeated. He spoke rarely until 1783 when he became PM ,and he refused 'minor office' under Rockingham. Pitt was influenced by Shelburne and was never a democrat. He also had powerful friends.

http://www.victorianweb.org/history/pms/pitt.html

http://www.britannia.com/gov/primes/prime16.html

http://www.bbc.co.uk/history/historic_figures/pitt_the_younger.shtml




THIS IS A GREAT BOOK ON PITT.

Friday, April 23, 2010

References from Rehearsal Today (23 April)

Summaries/reviews of the day. I jotted things here that I wrote down and pertain to mostly everyone. Surely there were millions more discussed.

I have a book coming, being delivered Tues, about 18th Century English society. This should be a great resource on everyday life, social mores, values, and all kinds of things we can use to help us create these worlds.

Model Showing:
Re-iteration of the idea of the domino effect: political crisis--> family crisis-->personal change/

Thru the poetry we are shown a physical world that shifts as the events unfold. We shift from a world where everyone knows their place to a world without rank, order, or ceremony. All the things we need to make sense of the world have been eradicated or turned upside-down.

There is a sympathetic relationship between elements an character--the relationship between man and nature. See Lear's speech about "unaccommodated man" III.4.

Pier gives us: a stage within a stage, hierarchical relationships, a rough element.

God-less Beckettian landscape.

In the 1780s: the relationship between England and the American Colonies was described as familial. "Our father betrayed us" and "we lost our children. "

Staging:
Lear's Knights: they are his cronies. They are not peasants--these are country people. They love to hunt. They hold balls and horse races. They are Lear's companions.

Behaviour of the court: 18th century strict Georgian formality. Women deep curtesys and men bow. Lear's first entrance is all about the tension and anxiety: what's going to happen now? What's he decided? Lear's court is a tight ship, everyone knows their place and the appropriate physical/social behaviors.

Responses: you go with Lear-however he responds to something, the court should echo.

Contrast between Lear's world (male) and Goneril's world (female).


He might be Captian Von Trapp. ;)

Serious focus today on apposition and mining the text.

Thursday, April 22, 2010

MADNESS OF KING GEORGE III: Charles Fox and gentleman's clubs


http://historicalhussies.blogspot.com/2009/03/regency-gentlemans-clubs.html

MADNESS OF KING GEORGE: This book just in!



I got a book from Amazon today. Now we have GEORGE III A LIFE IN CARICATURE by, Kenneth Baker at the rehearsal hall. Fascinating stuff people!


George III enjoyed one of the longest reigns in English history (1760-1820) at a time when both England and the world were undergoing drastic changes. Yet he remains a dim figure, remembered mainly for his failures (losing America) and his "madness" (which turns out to have been not mental but physical). He was highly unpopular for much of his reign, and this judgment is spectacularly endorsed by hundreds of contemporary caricatures, many reproduced here for the first time. Among George's enemies were some of the wittiest artists of any age, and few took the trouble to be fair. This was the way the English nation saw its king, adding a new dimension to what is ultimately a tragic story. 200 color illustrations.